My Composition
My music presents my illusion of the Past and Future; Reality and things beyond.
Different concepts transform into sound objects that weave into my ears, which allow the performers and audience to experience the beauty of the soundscapes that present my personal world...
Click the Underlined Works to listen :)
Please contact me for scores, possible performance, and collaboration :)
Orchestra & Large Ensemble Works
Through the Boundless Lycoris, I see my Voyage (20') (2024) for Orchestra
mvt. 1 Manjusaka (10')
mvt. 2 Manuvara
Prelude to the Lycoris (7') (2024) for Large Orchestra
Read by Aspen Conductor Orchestra. Paul-boris Kertsman, conductor
Oiseau Mécanique for sinfonietta (12') (2023)
Feb14 at Eastman School of Music. Kodak Hall. Musica Nova Ensemble. Luke Poeppel, conductor
April 18 at Yale School of Music. New Music New Haven. Stefano Boccacci, conductor
Seven Scenes After the World Fall into Darkness after Byron for 11 Performers (30’) (2020-2021)
Mvt.1, 4, 5, 7 premiered by Eastman School Musica Nova Ensemble. Luke Poeppel & Georgia Mills, co-conductor. Kodak Hall, Eastman School of Music (2022)
Three Songs based on Japanese Haiku for Soprano and Orchestra (10’) (2021)
Premiered by Eastman School Symphonic Orchestra. Kodak Hall, Eastman School of Music (2022). Kat Kirby, Soprano solo & Nicholas Sharma, conductor
Scherzo for Open Instrumentation (3’) (2021)
for Eastman Virtual Musical Nova Ensemble (Pandemic Period) Recorded by Online Musica Nova Ensemble (2021)
Chamber Works
After Infinity (15’) for Chmaber Ensemble (2024)
Commissioned by Aspen Festival Composition Study
Aug 7 2024 by Aspen Contemporary Ensemble. Tim Weiss, conductor
Dec 28 2024 by Meitar Ensemble. Pierre-André Valade, conductor
die kleine Knochen (12’30'') for String Quartet and Live Electronic (2024)
written for 10th Barcelona International Composition Masterclass
June 2024 by Fabrik Quartet in Barcelona, Spain
Feb. 2025 by Fabrik Quartet. Eclat New Music Festival. Stuttgart, German.
Memoir of the Bamboo Sea (8’40'') for Flute and Marimba (2024)
written for Yale Flute & Percussion collaboration project
May 6 2024 Yale School of Music. Sophia Jean, Flute & Jessie Chiang, Marimba
Singularity — Infinity II (9’) for Flute, Clarinet, Violin, Viola, Cello, Precision Piano (2023)
Premiered by Divertimento Ensemble, International Workshop for Young Composers, Italy (2023) Sandro Gorli, Conductor
Rondò in Milan. Divertimento Ensemble. Sandro Gorli, Conductor
The Scapes of Realm for String Quartet (10’) (2022)
Premiered by Jack Quartet. New Music On the Point (2022)
2nd by Mettis Quartet. Lithuania
3nd by Roman Quartet. Budapest, Hungary
Voices Burst Out from Crevice for Brass Quintet with Percussion (10’) (2022)
Ossia Commission Work. Premiered by Ossia New Music. Kilbourn Hall, Eastman School of Music (2022)
Movement, Blue, and Grey for Violin and Percussion (9’) (2022)
Premiered by fellow students. Bowdoin International Music Festival (2022)
A Day in the Life of Four Boatman by Sichuan River for Violin, Clarinet, and Two Pianists (7’) (2022)
Premiered at Bowdoin International Music Festival (2022)
Singularity — Infinity I for Pierrot Ensemble with Percussion (11’) (2020)
Premiered by KLK New Music Ensemble, established by the members of Lviv Philharmonic in Ukraine (2021);
2nd Performance at Kilbourn Hall, Eastman School of Music (2021)
Full-throated Voice 拙音 for 7 Performers (8’) (2019)
Premiered by Ensemble Court-Circuit. Conducted by Guillaume Bourgogne. Beijing International Composition Workshop. Beijing Central Conservatory of Music (2019)
Giocoso for Xylophone and Piano (7’) (2018, rev.2020)
Premiered at Shanghai Conservatory of Music (2018); 2nd Performance at Kilbourn Hall, Eastman School of Music (2020)
A Search for Rhythm 寻律 for Percussion Duo (7’30’’) (2018)
Premiered at Shanghai Conservatory of Music (2018)
Portraits of Solar Terms 时间的肖像 for Flute, Clarinet, and Piano (12’) (2018)
Recorded in Shanghai (2018).
Howling in the Forest 啸 for Dizi, Erhu, Pipa, Yangqin, and Guzheng (8’) (2017)
Recorded in Shanghai (2017)
Midnight Elves 午夜的精灵 for String Quartet (8’) (2016)
Recorded in Shanghai (2016 & 2018)
Solo and Duet Works
A Search for Tessitura for Vibraphone and Marimba (10'30'') (2025)
(upcoming) Mar.6 by Matt Boyle and Chad Beebe. Yale School of Music
Serenade for Sashieka for Soprano and Piano (12'30'') (2024)
Written for the collaboration with Aspen AOTVA
Aug.10 2024 by Sashieka, Soprano; Zihan Wu, Piano at Aspen Opera Encounter at Wheeler Opera House
Oct.10 2024 by Yiran Zhao & Zihan Wu. Yale School of Music
Nov.9 2024 by Hannah Rice, Soprano & Cathy Yang, Piano. University of South California
My Spring Lament for Soprano Solo (10') (2023)
Written for Keren Motseri, 2023 CEME Festival
Marimba Solo (2023)
SoUL G for Viola Solo (8’30'') (2023)
Premiered by Julian Seney at Yale School of Music (2023)
Between the Mirror and the Moon for Violin Solo (12’) (2023)
Premiered by Jiaqi Yu. Hatch Hall, Eastman School of Music (2023)
Rhapsody of Hmong 衍·笙 for Piano Solo (8’) (2021)
Several Performances by Zihan Wu
Tony Yantong Chen in New Zealand
Yale School of Music Horowitz Piano Series by Melvin Chen
Five Pieces for Piano (8’) (2021)
Premiered by I-Hsiang Chao at Kilbourn Hall, Eastman School of Music (2021)
Vocal Works
Sandymount Ruminations for Soprano, Bass-Bartione, and Piano (15') (2024)
3 scenes adapted from Jame Joyce's Ulysses, Chapter 13 by Zihan Wu
Written as part of the Yale Song Lab
Premiered by Eva Martinez. Matthew Dexter, and Lyndon Ji
Serenade for Sashieka for Soprano and Piano (12'30'') (2024)
Written for the collaboration with Aspen AOTVA
Aug 10 2024 by Sashieka, Soprano; Zihan Wu, Piano at Aspen Opera Encounter at Wheeler Opera House
Oct.10 2024 by Yiran Zhao & Zihan Wu. Yale School of Music
Nov. 9 2024 by Hannah Rice, Soprano & Cathy Yang, Piano. University of South California
Electronic Works
die kleine Knochen (12’30'') for String Quartet and Live Electronic (2024)
written for 10th Barcelona International Composition Masterclass
June 2024 by Fabrik Quartet in Barcelona, Spain
Feb. 2025 by Fabrik Quartet. Eclat New Music Festival. Stuttgart, German.
As I Foreseen the Spring for Fixed Media (2021)
Premiered at EARS Concert, 4 speakers, Eastman School of Music (2022)